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“ Jacek Malczewski (Polish, 1854-1929), Słoneczniki [Sunflowers], c.1890. Oil on cardboard, 41.5 x 26 cm.
”](https://64.media.tumblr.com/80637a76c5055ffde429b4ea0147b979/tumblr_pmn7odD5sy1wxinw0o1_1280.jpg)
![thunderstruck9:
“ Bruno Marrapodi (Italian, b. 1982), Ho giocato con il tempo [I Played with Time], 2014. Acrylic on canvas, 60 x 60 cm.
”](https://64.media.tumblr.com/27bab07d3e79858bca4a97f70d2271d9/tumblr_pmzeajiCSd1v1k5edo1_1280.jpg)
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, Untitled, 2014. Oil pastel on canvas, 70 x 100 cm){kind=link}
, Interieur P.C. Hooftstraat 145, Amsterdam. Paper, watercolour, paint, black chalk, chalk, 38.8 x 28.2 cm.
via huariqueje
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, Słoneczniki [Sunflowers], c.1890. Oil on cardboard, 41.5 x 26 cm.
via artist-malczewski
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, Ho giocato con il tempo [I Played with Time], 2014. Acrylic on canvas, 60 x 60 cm.
via terminusantequem
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, Where First and Last Things Sound the Same, 2009. Humbrol enamel on board, 43 x 53 cm.
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, Paragon, 2004, Oil on canvas, 275 x 200 cm.
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Berta Rovira ©
the occurence of ‘publicness’ within a museum square –> ambigous definition of space makes organic integration easier
müze meydanında ‘kamusallığın’ oluşumu –> alanın belirsiz tanımı, organik entegrasyonu kolaylaştırıyor
(via bertarovira-deactivated20230313)){kind=link}